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Barely Alive Deliver Heavy New Genre-Blending Album ‘Odyssey’

It’s no secret which Barely Alive has been completely killing it in the bass for years now. Having recently dropped some extremely heavy collabs using Ghastly, Modestep x Virtual Riot along with Virus Syndicate 2018 could prove to be their very best year up to now, since Barely Alive has only dropped their new record – Odyssey.

This newest from the bass-bringing duo couldn’t have been more appropriately titled. Packed with inspiration from all across the digital audio spectrum, Odyssey takes the listener on a sonic journey by lush tropical synths, shrill, machine-esque sound style, dark, vibrant orchestral soundscapes and profound volatile bass. Complete with attributes out of Virus Syndicate, IAMSU and a lot more, this 14-track job is sounding like a number of Barely Alive’s finest work thus far. Check out Odyssey below and enjoy!

Barely Alive – Odyssey

Where is Barely Alive performing next – see the entire tour schedule and buy tickets.

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“Humanoid 2.0” By EPROM & ZEKE BEATS Is Bass Music At Its Finest​

The highly anticipated collaboration is finally out!

EPROM is one of those legends that never get quite credited the way they deserve. Releasing music for about a decade, he’s definitely one of the pioneers of bass music as we know it today, and has always strived in pushing the sound forward. His forward-thinking track “Humanoid” was released back in 2010, and ever since clips of “Humanoid 2.0” started surfacing on the internet, fans have been continuously asking for the release, especially when they found out Australian talent ZEKE BEATS is on the track as well.

Fast forward to 2018, and the track is out on Noisia’s Division Recordings, exceeding all expectations.


Starting off with a simple robotic vocal sample, the banger builds up into a drop that moves forward and evolves for the entirety of the track. Vocal samples get mangled and pitch-shifted all over the place, while drums, wonky synths and various weird samples are thrown in and out in a surprising manner. This tune is a killer, and a perfect example that simplicity is key.

Here’s what ZEKE BEATS revealed about the track:

“Humanoid 2.0 was a really fun collaboration which started when I was staying with EPROM in Portland a couple years back. The idea came about when we discovered a new text to speech VST which had just been released. Whilst eating breakfast we both purchased the VST and started playing around with it, immediately hooked. That morning we created the skeleton of the track. So I took the project home with me back to Australia and completed the rest of it in a few sessions. We’ve been sitting on this song for a couple of years now and we’re just so stoked it’s finally coming out. Big ups to Noisia for allowing us to do that.”

Make sure to let us know what you think of this banger in the comments!

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Beyonce And Jay-Z’s ‘On The Run II’ Tour Is The Rare Sequel That’s Better Than The Original

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The pitch-black, football field-sized LED display cracked open in the center and spread apart. Two characters, among the most well-known human beings on Earth, dressed from head to toe in all white descended from the top of the display to the floor on an elevator, just like angels presaging that the rapture. With their hands clasped tightly about one another’s, they progressed from the rear to the top lip of the point; unspeaking, unwavering. 60,000 people stood in their feet, yelling and stomping and even ripping up in their mere sight of these, prepared to get whatever good news they may bring. Then she drew the microphone to her lips.

“You’d take the clothes off my spine and I’d tell you,” Beyonce cooed, reprising the opening line of this song “Holy Grail,” originally sung on record by Justin Timberlake. “You’d steal the food right outside my mouth and I’d see you eat it / And I still don’t even understand … why I love you so much. ” As she sang, her paramour, her companion, that the father of her children Rumi, Sir, along with Blue Ivy — that the guy who got her heart after she was only 19, then years later shattered it into a thousand bits with an act of seemingly unforgivable indiscretion, among the best rappers of all time,” Jay-Z stood holding this hand, gazing around in the dark void where thousands of curious faces appeared upon them both.

The key of this song changed, and then he turned to confront her. “I just can’t even crack up your speech,” she admitted at the next stanza. He turned to look out in us. “You ready? ” he cried. Then all together, “Sippin’ out of you cup ‘therefore it runneth above / Holy Grail! ” An explosion of fireworks ripped to the sky as Beyonce ran her fingers through her hair, looked outward and glowered. Welcome to On The Run II.

The earliest On The Run tour, which kicked off four years back in 2014, was a concert that the likes of which hadn’t actually been seen before. In the wake of a leaked video which revealed Beyonce’s sister Solange attacking Jay in an elevator after a Met Gala afterparty, the couple hit the road for a 19-date swing through some of the largest and most prestigious sports arenas in North America. I caught their show in Safeco Field in Seattle and ended up with an entire chapter to their capstone appearance in Paris because of my book Lighters In The Sky: The Greatest Concert Of All-Time. This was an incredible show filled with elaborate vignettes, dancers, fireworks; everything you may want out of a combined live performance staged by among the most essential and favorite musicians of the 21st century. Nonetheless, the play that played out in the front of the masses every night paled in comparison to this real-life turmoil going on behind the scenes.

We, as spectators, back in 2014, supposed that Beyonce, should have been going through it, but the real depth of her rage, betrayal and sadness didn’t completely reveal itself until 2 years later when she dropped her earth-shattering sixth solo album Lemonade. This ’s when we heard everything about “Becky with the fantastic hair. ” When we heard her say in exasperated tones, “What a wicked way to treat the woman that loves you. ” When she proudly declared, “You ain’t wed to no typical person *tch boy. ” That last sentiment might just be the understatement of the century.

To his credit, Jay left amends, both in real life and also on report. His 2017 album 4:44 is near one of the best Jay-Z album — nothing can unseat The Blueprint in my mind — but it surely remains his most showing. Over ten tracks, Jay cops to what — “You nearly went Eric Benét / Let the baddest woman in the entire world get off ” — and essentially begs for forgiveness. “I apologize,” he raps at the opening track. “I suck love, I think I require a do-over,” prior to considering the seemingly unthinkable. “What should you my sh*t? ”

Obviously, it came to this. Beyonce did get over Jay-Z’s sh*t and they remained together, as friends, lovers, parents, and partners, which will be pretty great, because the world is a more interesting location whenever they’re both beating it collectively. In 2018 they even rolled a joint album Everything Is Love, seemingly completing a gripping, psychological, story circle that began with Lemonade. And what better way to celebrate the end of this up-and-down era than a proper tour? The kind that will make their very first tour feel like a community theatre production.

Let’s only get this out of the way right here: Though Jay-Z is still arguably the most skillful and successful rapper in history, the majority of the people inside Soldier Field in Chicago on this hot August evening could ’t shown up whether his name was on the marquee or not. Actually, they did just that on back to back nights, so at this venue when Beyonce brought her Formation world tour here only two years earlier. It appeared that the majority of the crowd was composed of women, reflecting Beyonce’s hard-earned status as a feminist icon, which shone through most poignantly when she played with a part of Chimamanda Ngozi Adichie’s upsetting essay “We Should All Be Feminists” right after her song “Run The World (Girls). ”

Despite all that, Jay’s existence was an exceptionally welcome addition and over two-and-a half hours, the pair regaled the crowd with a near-nonstop showcase of some of their greatest hits of the previous two decades. The term “awe-inspiring” has thrown around quite quietly, but On The Run II really literally pushes awe. I spent the vast majority of the show with my forehead increased, my eyes peeled, and my mouth switching between a broad grin and a slackened hang; this ’s when I wasn’t crying out the choruses to “Drunk In Love,” “Run This Town,” “Big Pimpin,’” & “99 Problems. ” The addition of a number of the artists out of Beyonce’s now-iconic headlining set at Coachella — especially the horn players, but in addition the drummer, and 2 distinct guitarists — did so much to enhance the true music blasting out of the heaps of speakers in triple-digit decibels.

As opposed to the original On The Run tour, this second iteration featured fewer solo places between Jay and Bey, and much more time spent on stage together. Having a combined album outside, this naturally makes a good deal of sense, but even in minutes when their individual presences weren’t required, they each remained in plain sight of their crowd, often acting as a pastime person for whomever happened to be carrying the lead at the moment. Though, I do believe Jay vanished more often for outfit adjustments — I couldn’t even tell you precisely how many headbands he used, but it needed to have been over five Beyonce’s had been far more notable.

As a writer, the great gift of Beyonce is that there is no series of adjectives I can use to explain her skills that could be accused of being overly hyperbolic. The way she moves out “Freedom,” how she awakens through “Crazy In Love,” how she plays with the camera through “Don’t Hurt Yourself,” how she complete sprints from the top of the catwalk to the back of the point in a enormous orange dress afterwards “Resentment,” how she raps a mile per minute throughout the set-closer “Apesh*t,” is all constantly astonishing. There is seemingly nothing she is ’t even do better than anybody else. She’s genuinely the Michael Jackson of this contemporary era; a performer whose songs and performance acumen has defined a generation.

The denouement of this show, the psychological climax, arrived near the end with a performance of Jay’s song “Young Forever. ” As Beyonce serenaded the masses, along with Jay rapped his ass off, a montage of tender, blunt footage out of their own lives broadcast on the large screen . We saw their children. We watched their trips across the world. We saw them renew their marriage vows. They actually pulled this specific same move before throughout the first On The Run tour, promising in the time just beforehand that “This Is Real Life. ” We only know now how much that joy was a pity. Tonight however, the disclaimer wasn’t even necessary. We understood.

There’s a enormous canon of breathtakingly terrible follow-up attempts in the realm of popular artwork. Speed II: Cruise Control along with Lil Wayne’s Tha Carter IV spring to mind as particularly egregious examples. Sequels, by their own nature, are constantly judged against the standard and effect of the first, and many often don’t step up in either respect, usually because they sacrifice poignant story and fundamental personality growth in the service of eccentric spectacle.

Jay-Z along with Beyonce’s instant On The Run tour definitely needed more flash where have we noticed that floating point before? — much more pyro, and more pizzaz than the first, but it had something even more significant: a stronger central theme. In 2014, Beyonce and Jay-Z were celebrities pretending to become outlaws trying to outrun their own personal turmoil. Back in 2018, they were real partners hand in hand, prepared to undertake the world collectively. One where, at least for now, everything is love.

Everything Is Love is out now though. Get it here.

Search and buy tickets for the entire On the Run II: Beyonce & Jay-Z Tour at

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Watch: The Evolution of the Greatest EDM Artists

It’s natural for artists to go through some changes. But sometimes we overlook how radically their sounds may evolve! A Facebook page titled “Revealed Family” created a few videos that show exactly how much some EDM artists have come from the last five decades alone.

You can see the movies :

Which artist do you think has changed the most?

Read more:

The top EDM concerts and Festival Tickets are at

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Party Pupils & MAX Release Official Music Video For Summertime Single “Sax On The Beach” [Watch]

Classic Video Game Inspired Visual Features Steve Aoki, Pete Wentz, The Fat Jew, Elsie Hewitt

Party Pupils (MAX + RyanEXOE) channel the ocean waves and summertime breeze on their Dim Mak single “Sax On The Beach,” featuring a contagious saxophone riff played by Big Gigantic‘s Dominic Lalli.

Anyone who has a nostalgia for mid-2000 video games will enjoy the music video directed by Alexander Ferzan.

In the surreal animated music video, Party Pupils are sent, under the advisory of The King (Steve Aoki), on a wave-riding quest to save The Princess (Elsie Hewitt) from the aphrodisiac spell of a sax-playing dolphin. During the video game-inspired journey, the Party Pupils have to beat Fat Jew in a dance-off and take a selfie with Pete Wentz (Fall Out Boy) in order to unlock jet skis, which allow them to embark on a mission filled with pineapple gum, BABE rosé, flying cakes and saxy beats.

It’s a fun summertime electro-funk anthem that is sure to light up many a pool party this season. I can smell the remixes coming in already.

Party Pupils Tour Dates:

8/10: Hollywood, CA @ Avalon

9/29: Denver, CO @ Red Rocks Amphitheatre with Big Gigantic


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Illenium Live Band Performance Announced For Goldrush 2018

Arizona dance-music fans, are you prepared for something extra special?! Goldrush Music Festival 2018 in Chandler, Arizona is on the horizon and we’ve got one of the most exciting statements however. Illenium will be playing a complete set of his amazing album ‘Awake’! But that’s not all.

He will also be doing it with the all-new live group for the very first time ever! Prepare for a much wilder trip back to the old-west this year when this rising phoenix hits the stage with an insane new music.

Gold Rush Arizona Tickets

Since 2008, melodic-mastermind Illenium has made waves in the dance music arena. Not only has he worked with the likes of Excision, but he has produced remixes for both Odesza in addition to several others. The release of his latest studio album ‘Awake’ shot straight to the heart of fans. A live band performance will prove to be just the musical evolution that the album deserves.

In 2017, its fifth season, Goldrush Music Festival cemented itself as one of Arizona’s leading grossing songs festivals. It brought over a brand-new music festival experience and fused multiple genres to get an unheard-of adventure. In 2018, Goldrush has been planning to accomplish that once again, with statements of Illenium’s live group, in addition to Deadmau5 bringing together his cube.

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Top EDM DJs Net Worth – Marshmello, Martin Garrix & More

EDM DJs Net Worth By now, we’re familiar with Forbes’ Listing of EDM Cash Kings.

Every year, Forbes tallies up the maximum paid DJs. However, that’s only 1-year info. What about our favoufavorite DJs’ web worth? That is, how much money have they got as a whole?

We adore our favorites such as Steve Aoki and Hardwell no matter how much cash they have. However, it’s pretty interesting to understand how nicely they’ve been doing financially.

So we’t rated a number of our favourite EDM DJs with their net worth! Pay attention to the listing

#1. Calvin Harris — $190 Million

No surprises . Calvin Harris is always topping the lists of highest-paid DJs, so all that cash has to add up.

Calvin Harris, Dua Lipa – One Kiss (Official Video)


#2. Tiesto — $150 million


Tiesto is referred to as the Godfather of EDM. ” He’s been producing music for decades now, so that he ’another non-surprising entry to the list of highest EDM DJ net worths.


#3. Swedish House Mafia — $100 million

They may have gone their separate ways, however, the sum of money the fellas of Swedish House Mafia made nevertheless speaks volumes.


#4. Avicii — $85 million

Avicii isn’t even touring anymore, but he’s releasing songs. Contemplating how diehard the youthful manufacturer ’s fans are, he probably won’t even slow down anytime soon


#5. David Guetta — roughly $75 million

David Guetta is just a little bit contentious. Some folks find his songs to be pretty derivative and call him a sell-out. However , he’s definitely still selling.

#6. Steve Aoki — roughly $75 million

What’s & rsquo;s not to love about Steve Aoki? This man hustles big time. He practically never ceases performing, whether its through a Vegas residency or even a brand new documentary.


#7. Afrojack — $60 million

Afrojack is among the DJs who worked together with the ideal people at the perfect time. His career took off early due to collaborations by Pitbull, Beyonce and Ne-Yo.


#8. Armin Van Buuren — $55 million


Armin Van Buuren is among the DJs who’s reached into the world of critical acclaim in addition to fan praise. He’therefore the fourth ever trance artist to make a Grammy nomination, which he nabbed for “This Is What It Feels Like” at 2014.


#9. Deadmau5 — $53 million

He’s likely the crankiest EDM DJ out there, but his net worth indicates that fans love him.


#10. Kaskade — $50 million

Kaskade helped to reestablish innovative house music around 2009 from the United States. Since then, he’s been glancing out at Ultra and lots of other festivals, which are helping hike up his net worth

#11. Skrillex — $45 million

Can Skrillex also need an introduction? We’re actually amazed that his net worth isn’t even higher given how famous that this EDM DJ is. Then again, his distinguishing appearance might help contribute to his notoriety.


#12. Zedd — $35 million

EDM DJs Net Worth Zedd

Zedd is just 28 years old, which he has lots of time to increase his net worth. He primarily works on electro house music, but has lately been diversifying.

#13. Alesso — $30 million

Alesso used to operate here and there with Swedish House Mafia, to help launch his career. But he’s because proved to be a force by himself. He earned a Grammy nomination for his OneRepublic remix “If I Lose Myself. ”

#14. Axwell — $30 million

Talking of Swedish House Mafia, Axwell was Part of the trio along with Sebastian Ingrosso along with Steve Angello. Of the three, ” he ’s gone to have arguably the most prosperous solo career. At least in regards to net worth, that’s.


#15. Diplo — $26 million

Diplo is sort of sneaky at the sense he occasionally goes under the radar. Mainstream music listeners may not realize he’s on the other side of the production of their favourite pop tunes. He’s worked on collaborative projects like Jack Ü and Major Lazer.

#16. Hardwell — $23 million

EDM DJs Net Worth Hardwell

Hardwell’s got mad skills. Hailing from the Netherlands, he’s already got a radio show and record label under his belt. He’s a festival heavy-hitter, which is likely where his considerable net value is coming from.


#17. Martin Garrix — roughly $22 million

He’s just 21 years old, however, Martin Garrix has charmed the planet.  This year, he announced his new Hi Ibiza residency.


#18. Marshmello — $21 million

He’s a relative newcomer, however, Marshmello is rapidly climbing from the ranks. He left nearly all of his entire fortune in no more than 1 year.


Discount tickets to the biggest EDM artists at buy tickets

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Travis Scott Unveils Plans For Astroworld Festival 2018

Just last week Travis Scott dropped his highly anticipated project, and one of our favorite hip-hop album so far this year, Astroworld. More new Astroworld news is here, and this time it comes in the form of a festival announcement. That’s right — La Flame is officially pulling out all the stops. Astroworld Festival is coming to Houston, Texas later this fall on November 17th. If you aren’t aware of the story so far, let us fill you in. Travis Scott’s passion for this whole Astroworld project has been around for a while, dating back to his earlier days in Houston. AstroWorld, before it was shut down and turned into a Six Flags, was an amusement park in Houston that he used to frequent as a kid. It’s since become a piece of Houston folklore, and Travis has been set to bring it back in any form that he can. Travis’s wishes came true earlier this week when he actually shut down the Houston Six Flags for a week for an Astroworld listening party that went from 9 PM to 1 AM (and yes, the rides were open). Now he’s taking it a step further by announcing his own festival, which we can safely assume will aim to bring back more AstroWorld vibes. Follow this link for more information and stay tuned for more Astroworld Festival news.


— TRAVIS SCOTT (@trvisXX) August 10, 2018

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GRiZ Shares Exciting New Album Update

It’s been fairly retained under wraps what GRiZ was up to during the previous six weeks (besides playing some incredible displays ). After several cryptic posts to every one of his social networking platforms, GRiZ has finally dropped a significant clue about what he’s been operating.  GRiZ chose to Instagram to post a picture of a whiteboard which clearly indicates that he’s been focusing on a brand new record. The job seems to be titled either Infinite or We’re Infinite, and there is a total of ten completed monitors. Depending on the progress board, it appears like he’s still potentially working more, which he’s potentially aiming to acquire the record out sometime this season. We can only speculate, however, as to if it will actually be dropping.  When you look carefully at the board, then it is possible to see what he’s still planning to your record, and that which we’re imagining is beats-per-minute values just to the left of every track. Understanding GRiZ, he may have thrown into a hidden message in the image too, but we’re still looking! Check out the photo below to examine for yourself, and keep tuned for more information.


A post shared by GRiZ (@griz) on Aug 10, 2018 at 11:20am PDT

Griz at Red Rocks, Morrison Colorado

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The boys are back and I could not be happier. Globally renowned live-electronic trio RÜFÜS DU SOL release their second offering ‘Underwater’ by forthcoming album ‘SOLACE’.  ‘Underwater’ is still just another glimpse in the ring ’s continuing development, following the band’s introduction track ‘Zero Place. ” SOLACE,’ outside this fall, claims to elevate RÜFÜS DU SOL’s emotive and captivating sonic storytelling to a different degree.

Together with “underwater’, were hauled back to the desolate beaches of their own mind. Tyrone Lindqvist delivers his euphoric vocals alongside Jon George and James Hunt. Layered with all the catchy history hook, and the trio has joined their indie house signature beats with a new tribal elegance that puts the group at a sonic kingdom in their own. It is vibey to the max.

The lyrics are emotional, but it’s difficult not to smile and groove when you have this beat!

Me right now:

‘Underwater’ arrives in the middle of constant noise enclosing the juggernaut of RÜFÜS DU SOL’s travel program. The ring moves towards three-star displays at the Los Angeles’ Shrine Expo Hall and New York’s Terminal 5, coming sell-outs in London’s O2 Forum and Manchester’s Club Academy, and a standout Halloween operation at San Diego’s Valley View Casino Center stadium. Additional fall dates Incorporate sold-out displays in Emo’therefore Austin, TX, The Van Buren in Phoenix, Denver’s The Fillmore, plus a festival set in Voodoo Music & Arts Experience.

RÜFÜS DU SOL has spent the past season at Venice, CA, recording and writing the new record, which is largely affected by the dichotomy of this mythical desert landscapes and gorgeous coastline of California. It, therefore, a more comprehensive investigation of RÜFÜS DU SOL’s ever-evolving musical spectrum, a deeper dip, and a more intimate glimpse into both melancholy and transcendence.

SOLACE North American Fall Tour Dates (with more dates to be announced):

Oct 24th – Charlotte, NC – The Fillmore

Oct 25th – Atlanta, GA – Coca Cola Roxy

Oct 26th – New Orleans, LA – Voodoo Music & Arts Experience

Oct 27th – Houston, TX – House of Blues (Houston)

Oct 28th – Austin, TX – Emo’s

Oct 30th – Phoenix, AZ – The Van Buren

Oct 31st – San Diego, CA – Valley View Casino Center

Nov 1st – Los Angeles, CA – Shrine Expo Hall

Nov 2nd – Los Angeles, CA – Shrine Expo Hall

Nov 3rd – Los Angeles, CA – Shrine Expo Hall

Nov 6th – San Francisco, CA – Bill Graham Civic Auditorium

Nov 9th – Salt Lake City, UT – The Sophisticated

Nov 10th – Denver, CO – The Fillmore Auditorium

Nov 11th – Denver, CO – The Fillmore Auditorium

Nov 13th – Minneapolis, MN – First Avenue

Nov 14th – Chicago, IL – Aragon Ballroom

Nov 15th – Detroit, MI – Royal Oak Music Hall

Nov 16th – Toronto, ON – The Danforth Music Hall

Nov 18th – Montreal, QC – MTELUS

Nov 20th – Boston, MA – House of Blues (Boston)

Nov 21st – Boston, MA – House of Blues (Boston)

Nov 23rd – New York, NY – Root 5

Nov 24th – New York, NY – Root 5

Nov 25th – New York, NY – Root 5


Buy Tickets for All North American Fall Tour Dates (with more dates to be announced)


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